Taken during a nighttime walkabout with my Lumix DMC-GX7. It was almost 9 pm, and quite dark out, when I took the picture. ISO was 25600, shutter speed was 1/20 sec, and f-stop was at 4.6. White balance was a bit off, but easily adjusted with Photoshop Lightroom 5.
I think the small size of the grain is quite fantastic given the high ISO.
It was a bland and dreary day in Shangdi (where I work) when I took this photograph. The colors and shapes of this newly- constructed building made it seem so inviting.
Wasn’t until developing the shot just now that I noticed the concertina wire strung atop the perimeter wall.
Oh, well, so it goes…
Toward the end of 2008, I got my first tattoo in Beijing. It is a fairly elaborate piece featuring Sun Wukong (you can see a picture of it here). Since then, I’ve felt things were a bit unbalanced, and planned to get a tattoo on my right side.
I thought about having a tattoo of the Indian version of Sun Wukong (Hanuman) done. I also thought about having a large snake tattooed around my right arm, but my wife killed that idea.
The snake was because I was born in the year of the snake, as where my wife’s parents, my mom, my step-father, and, finally, my son Chong Chong. As I’ve mentioned in a previous post, Chong Chong’s official name is Su Shao Long, with “Shao Long” meaning “Little Dragon”, which is another way to say snake.
We were having part of the discussion in the dining area, where I’ve got a scroll of a character for dragon hanging on the wall. The scroll was given to me by my friend Huibao, who is a third generation seal carver and calligrapher. Anyway, we agreed that I could get the character transferred to my arm.
An important part of the project was that the character look liked like Huibao had drawn it there. That is, that one could see the brush strokes, splotches, and cast-offs visible in the scroll.
So, with scroll in hand, I headed off with my friend Dan to Creation Tattoo.
The first step in the process of getting the character onto my arm was taking a picture of the scroll.
The image then was reduced and tuned on a computer, before being transferred to a stencil.
Tools of the trade. The tubes and the needles were individually packaged.
With the stencil applied, the inking began. (The printout of the reduced image to the right of my arm was used as a more detailed guide.)
And, here’s the finished work.
Some notes:
A guard outside the Forbidden City.
I shot this with my D50/300 mm during my first trip to Beijing. Although I’ve come back to it often, this is the first time I’ve posted the picture. I’d shot it in such a way that the brim of the hat was touching the right side of the frame (as it still is), but had a lot of room at the back and top of the image, and that just didn’t feel right.
Today I cropped the image so that the hat was touching both the top and left of the image, and brought the bottom up so that the knot in the tie was just visible, and it seems to work.
So, there you have it… attention.
Being held by Lao Lao (maternal grandmother).
